With the theme ‘Future Past’, the Ausglass conference (3-5 February 2023, in Melbourne) explored the futures and histories of glass and glass making, and the dialogue between them. Skill, sustainability, education and technology have never been so relevant and interdependent on each other. Artists whose focus is on concept, those who use new and innovative ways of making and those who have worked tirelessly on mastering their chosen technique have equal importance in the future of studio glass. It is time to take stock; to examine the arc between history and tradition, modern-day technology and innovation and the future challenges of sustainability and responsibility in glass making.
The conference program included an impressive line-up of Australian and international guests, presenting keynote addresses, artist talks and expert panels. In addition, there were demonstrations, exhibitions, workshops and satellite activities. Below, are links to relevant content
** PORTFOLIO Reviews (for emerging artists)
** TRADE stands
Two conference workshops were organised:
The conference content was based on ideas such as:
History and Tradition: First Nations, art history, critical discourse, and Ausglass luminaries.
Technology and innovation: Cross and multi-disciplinary practice, post-Neo craft movement, the rediscovery of light and neon, and digital applications.
Sustainability and responsibility: Engagement and the politics of making, active citizenship, exclusivity and accessibility, and well-being and the value of culture and creative practice.
The principal venue for the conference was the ACU (Australian Catholic University) campus in Melbourne (https://www.acu.edu.au/locations/melbourne) .
Our sincere and grateful thanks to all at ACU, without whom the event would not have run so smoothly.